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- <text id=94TT0533>
- <title>
- May 02, 1994: Theater: Disenchanting Kingdom
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- May 02, 1994 Last Testament of Richard Nixon
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/THEATER, Page 72
- DISENCHANTING KINGDOM
- </hdr>
- <body>
- <p> A pyrotechnic Beauty and the Beast, with actors who are just
- cartoonish instead of cartoons, launches Disney on Broadway
- </p>
- <p>BY WILLIAM A. HENRY III
- </p>
- <p> The greatest of all Disney magic is the magic of copyright.
- More remarkable than Mickey or Dumbo or any other creation,
- pre- or post-Walt, has been the company's success in exploiting
- established franchises and accumulating new ones. Perhaps the
- most cunning Disney trick is to take fairy tales in the public
- domain and reinvent them as corporate property. A billion-dollar
- example is Beauty and the Beast, which has metamorphosed from
- a bedtime story known to every child into a megahit animated
- film (and an even bigger hit on video), a sound track, a theme-park
- attraction, an ice show, a lunch-box and T-shirt decoration
- and, as of last week, a Broadway musical. Actually, not just
- a Broadway musical but the costliest and most complex ever,
- not to mention maybe the most vapid, shallow and, yes, cartoonish.
- </p>
- <p> At its campy, shameless best, the Broadway Beauty brings to
- mind Busby Berkeley movies, Radio City Music Hall spectacles,
- the Ziegfeld Follies and Fourth of July at Disney World. You
- may be amused, you may be appalled, but you cannot fail to be
- agape. The one thing this riot of color and noise does not bring
- to mind is the modern Broadway musical, which can delight in
- scenery and special effects but is most concerned with evoking
- emotion and telling a story.
- </p>
- <p> Only briefly does Beauty become affecting, when Belle and her
- captor, a prince transformed into a sort of buffalo, fumblingly
- get to know each other. Terrence Mann finds coltish gawkiness
- in a lumbering leviathan and suggests a new reason why the myth
- has endured. When the beast stops slurping and growling and
- starts thinking of cleanliness and manners, he evokes the civilizing
- process boys go through in adolescence as they discover girls.
- Mostly, though, the characters seem even simpler when played
- by actors than they did as cartoons. The costumes that help
- them resemble a candelabrum or a clock also render them slow
- and clunky. Maybe that is why, despite a barrage of whizbangery,
- the show is sluggish.
- </p>
- <p> Whether Disney spent $12 million mounting Beauty, as its moguls
- claim, or a more beastly $20 million, as some theater insiders
- assert, it has bet big on its belief in a vast untapped stage
- audience yearning for family entertainment--even in the honky-tonk
- heart of Manhattan, even at a $65 top-ticket price, even at
- a 10:30 p.m. curtain-call time, when much of the target audience
- should be in bed. So far, business has been good. The day after
- Beauty opened, it set an all-time Broadway record for a single
- day's ticket sales: $603,494, vs. the $548,460 racked up in
- 1993 by The Who's Tommy. By week's end the advance sales exceeded
- $10 million. Nevertheless, last week chairman Michael Eisner
- floated the notion of starting evening shows at 7:30 instead
- of 8. Aides pointed out pitfalls: there may be a lot of latecomers,
- and the schedule change might imply that Beauty is not for grownups.
- Regardless of when it plays, 2 1/2 hours is a long time for
- children to sit still. Adults may be squirming too.
- </p>
- <p> Disney says this is only Phase 1. Next it will invest $8 million
- in a government-subsidized renovation of a theater on 42nd Street,
- symbolically sanitizing the porn district, to mount stage versions
- of other cartoons. Broadway can only welcome any attempt to
- instill theatergoing in the young--and, of course, hope Disney
- makes the next show better.
- </p>
-
- </body>
- </article>
- </text>
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